JESSICA HOLT directs new, contemporary and reimagined classical plays. She delights in adventurous theatricality and believes theater has the power to transform.
Selected directing credits include: Kate Hamill's Sense and Sensibility, Fun Home, Venus in Fur (Virginia Stage Company), The Resting Place, Bright Half Life, Taylor Mac's The Lily's Revenge, Act 5 (Magic Theatre), Speech and Debate (Barrington Stage Company), Rich Girl (Florida Studio Theatre), The Daughters by Patricia Cotter (San Francisco Playhouse), and Ugly Lies the Bone by Lindsey Ferrentino (Alliance Theater), among others.
Additionally, she has developed and directed work at A.C.T., Santa Cruz Shakespeare, Berkeley Rep's Ground Floor, Rivendell Theatre, NYU, Pocono Mountains Music Festival, AADA, Bay Area Playwrights Festival, Sewanee Writers Conference, Cutting Ball Theater, among others.
Jessica is an NNPN Affiliated artist and was 2016-2017 National Directors Fellow with the Eugene O'Neill Theater Center, NNPN, the Kennedy Center, and SDCF.
She was the 2015-2016 Phil Kent Directing Fellow at the Alliance Theatre in Atlanta, GA.
She is a graduate of the Yale School of Drama, where she received her MFA in Directing. Projects there include: The Seagull by Anton Chekhov, Shakespeare’s Twelfth Night, and the hip-hop musical The Children by Phillip Howze.
She was the Co-Artistic Director of the 2014 Yale Summer Cabaret, and programmed a season celebrating 'Voices at the Forefront of American Theatre' including work by Jackie Sibblies Drury, Will Eno and Erin Courtney.
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She was the Artistic Director of the Bay One Acts Festival from 2009 - 2012, a vibrant San Francisco-based festival that brought 10 independent theatre companies together in an annual-month long event that celebrate new plays by local playwrights.
Within the educational environment, she has directed, taught acting and coached actors, emerging directors and business leaders at schools and conservatories including A.C.T., American Academy of Dramatic Art, NYC, The Studio/NYC, Fordham University, UC Berkeley, New Conservatory Theatre Center, West Valley College, Evergreen Valley College, and Stanford University.
She is currently developing the musical The Code with the theatrical rock band The Kilbanes, commissioned by A.C.T.’s Young Conservatory, and the play The Last White Man by Bill Cain.
She is a proud member of the Stage Directors and Choreographers Society.
Next up: The Comedy of Errors at Cal Shakes in May 2020.